However 19 of Los Angeles' top detectives were in the studio during the airing of the first show. The Philip Marlowe producers decided against the common practice because they thought audiences might detract from the show. Most radio shows had live audiences in the studio. on June 17th, the show starred Van Heflin with a script by Milton Geiger based on the stories of Raymond Chandler. In April, 1947 the New York Times announced that the summer replacement for Bob Hope would be a new adventure-mystery series, The Adventures of Philip Marlowe. One of those movies, Murder My Sweet, was responsible for Marlowe's first appearance on radio when it was presented on Lux Radio Theatre on Jstarring Dick Powell and Clair Trevor. He also had his own strong ethical standards and turned down jobs that didn't measure up to those standards.īy the late 1940's Marlowe had moved to the big screen, with Marlowe played by Dick Powell, Robert Mitchum, and Humphrey Bogart. But, he was more than just a tough guy, he had gone to college, could play chess, and appreciated classical music. Sure he could handle a gun and take a beating. Marlowe was a more complex character than some of his hard boiled brethren. "Then he picked the glass up and tasted it and sighed again and shook his head sideways with a half smile the way a man does when you give him a drink and he needs it very badly and it is just right and the first swallow is like a peek into a cleaner, sunnier, brighter world." I was the page from yesterday's calendar crumpled at the bottom of the waste basket." I had no face, no meaning, no personality, hardly a name. "I put the duster away folded with the dust in it, leaned back and just sat, not smoking, not even thinking. Here's an example from The Little Sister:
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His sparse style was full of wonderfully sharp similies and rich descriptive narration. Chandler had previously published a number of short stories featuring other detectives however, Marlowe proved so popular that when the stories were later republished the author often switched the detectives to Philip Marlowe.Ĭhandler's style was unique. Chandler introduced Marlowe in his first novel, The Big Sleep, and Philip Marlowe continued to solve crimes in six subsequent Chandler novels. A few years later Raymond Chandler came along and perfected the type, with his detective, Philip Marlowe. Instead of country houses, these detectives were more likely to be found in shady all-night bars or on the mean streets of Los Angeles, Chicago, or New York City.ĭashiell Hammett introduced the new genre, and Sam Spade, in 1930 in his novel The Maltese Falcon. As opposed to the typical British detective, the hardboiled detective was generally a cynical loner with a strong sense of justice that wasn't necessarily limited to that provided by the court system. Then, in the 1930's and 1940's American writers added a grittier urban element to the detective genre - the hardboiled detective. These detectives most commonly applied their brilliance to crimes in quaint country houses outside small idyllic villages.
The Sherlock Holmes stories were wildly popular in England, and after Conan Doyle, the British continued to dominate the detective genre with other detectives who depended on keen observation and deductive logic to solve crimes. Many think that Doyle patterned Holmes and Watson after Dupin and his friend. Later in the 19th century Sir Arthur Conan Doyle expanded on Poe's new concept in his Sherlock Holmes stories. He and his unnamed narrator companion solved this and two other mysteries. Auguste Dupin, was a brilliant detective who relied on superior deductive powers to solve the crime. Edgar Allan Poe's The Murders in the Rue Morgue, published in 1841, was the first. Elements of mystery have always been represented in literature, but the detective story didn't arrive on the scene until the mid 1800's.
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